El cadáver ambulante de la literatura
DOI:
https://doi.org/10.35487/rius.v4i26.2010.245Abstract
En esta entrega, el escritor poblano refl exiona sobre la relación entre literatura y la agonía moderna de ésta, a partir de la poética de Pascal QUIGNARD: la sabiduría como forma de la pérdida (el silencio de la música, por ejemplo), y las imposturas planteadas por Michel HOULLEBECQ: el escritor como clown de la sociedad de masas, como opinador profesional. Se cuestiona, con algunos escritores más, si acaso no podrán como autores de cadáveres tener una mansión donde puedan apagar la luz eléctrica para percibir las cosas sin ella.
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